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After releasing several quirky and unusual titles Dead Toast Entertainment slowly started to establish itself.

But it wasn't until after Victor had worked at Media Molecule for about six years (on Little Big Planet, Little Big Planet 2 and Tearaway) Dead Toast Entertainment would be intended as a full time business.

And to make things even more exciting Victor decided to leave England (where he'd been living during his time with Media Molecule) and move to Rio de Janeiro, Brazil. During his time in Brazil he picked up his indie endeavors where he had left them and started working on 'Nunchuck Charlie: A Love Story', a free Flash-game sponsored by Adult Swim Games.

Killing multiple enemies in a short amount of time starts a multiplier, which keeps compounding as you rack up the bodies.

The key to getting a good score in any level is to be quick and efficient, yet planned and methodical – tracing the optimal path through the level to keep your combo streak going while dispatching enemies mid-backflip-pirouette.

I say this because the narrative of My Friend Pedro is at least passingly interested in game violence, and it has more than a few jokes at the expense of players whose minds are purportedly warped by violent video games, and yet – violence is an integral part of this experience.

The game conjures an emotional state which reminded me of Hotline Miami: a confusion over whether the game is meant to be serious and comedic, and a personal introspection about whether game violence is cool, shocking, both, or neither.

This is a game about stylishly killing enemies in order to rack up points.